<< Today we have a study cello and I want you to see what give you the answers to the most frequent questions of a student, or of those who (for him) are interested in a stringed instrument for first time. Practically what customers usually asked me “What are the first things I have to do with my bowed instrument?” Because initially you buy it for studio, it will therefore be of a certain construction, inexpensive, that will have an equally economical quality control . As a result it needs some relatively simple maintenance setups, even quite economic. The first question is surely “But how do I play the violin or the cello?” It is not a superficial question, the strings with a non prepared bow do not sound because actually the bow runs on the string and does not grip it, let’s say it slips over it . So the first step is to take the rosin from the case, slightly nick it and rub it on the hair. Stretch the bow without exaggerating, the stick must be neither too straight nor too little, at this point begin to rub. Obviously it takes a few minutes, for the most inexperienced even a few good minutes! You need to make a quick movement because the heat spreads it faster. Next there will be a part 2 in which I explain what are the parts of the instrument that we should carry under maintenance the first time we buy a cello or a violin >>
To prepare the bow do not use rosin in the studio sets you buy, it is better to use a better pitch. The cost is negligible compared to the time you can use it. A package of it can last up to two years for a student. We recommend the following (Corelli Bernardel and Royal Oak rosin), you can also find them in more specialized physical stores.
We can guarantee the BONUS STRADIVARI 2018, until funds run out (10 million euros). The plafond is little compared to possible questions, so we advise you to immediately request a quote from Atelier Cesarini, starting already from January to look for your instrument.
Extension of the Bonus to students of all the courses of the Conservatories, ISSMs and organizations authorized to issue recognized Afam qualifications: preaccademici, triennio, biennium and previous regulations. In addition, complementary instrument courses (excluded in 2016) are also included; Extension to the students of the Music High Schools;
The terms of the Bonus change: no more than 1,000 euros, but a 65% contribution on the purchase price, up to a maximum contribution of 2,500 euros;
The law will come into force from 2018 (still needs to be confirmed in which month), you can already book your instrument in January.
To know the sound of our instruments we recommend our Youtubechannel, where there are many visual audio tests.
Valter Vincenti, plays with Cesarini C-MOP guitar with C-Big Beat pickups while Lusi plays bass Cesarini C-Precision mod.2 with C-Close Strings (flat poles). Special Guest: Saverio Federici, drums
Jamming on “La notte del Guerre” (brano di Valter Vincenti)
CesariniJamSession is a production of Liuteria Cesarini.
The Cesarini guitars and pickups on jam.
Pickup Big Beat
The search for a “simple” sound, but with a certain frequency projection, has never been taken for granted. The C-Big Beat wink at the Gibsons ’59, but they twist the essence and design. A direct sound very effective in crunches, ghost notes, but also in clean pop. Even in jazz many have found them excellent travel companions (and recording). Already mounted in Valter’s guitars (in Eko Aqua, as we remember in the Valter Vincenti endorser blog).
Cesarini Guitars, LP C-MOP
Big Beat mounted on the Cesarini C-MOP guitar, which perfectly expresses their timbre. Les Paul type Gibson, Cesarini guitar of the Vintage Series, with very interesting characteristics. It has tonal chambers below the top, which increase the sustain of the highest frequency harmonics. This timbre is perfectly captured by the pickups, which being nasal at the right point, are not too harsh or bright, but open sound and with considerable projection. The ghost notes are not lost, they all play good. Even palm muting and all the techniques related to reggae, funky and rock rhythms stand out with this setup. Detailed on the page.
Cesarini Guitars, bass C-Precision m.2
Modification of the first C-Precision (Giacomo Rossetti used it on the Negrita 2015 tour). Electric bass with typical Fender shapes, with a narrow nut and a C-shaped rounded handle. The particularity is in the frequency cut of the body in ash, which seems to remember a Music Man. The ash resonates with harmonics with medium-high frequencies that they are handled by the C-Close Strings split coil of our creation, with a lot of definition. The sound generated is very different from a Fender Precision, less “big” but thinner, very useful in rock music, rock / punk, fusion and for all those who seek a sound of Precision sharpness. One volume potentiometer, as one day Giacomo advised me, to have a right fixed control of the tone.
Atelier Cesarini has created the semi-professional series to give the opportunity to all students with a forward-looking perspective (Academy) to buy a good cello with excellent timbre output and exceptional soundness, also the price is very interesting.
The amateur series is more suitable for all beginners, especially students who have to face the 4/4 seize for first time, but who do not want to buy an entry level.
The price of a Cesarini Pro Studio cello is even less in case you opt for a package including bow and case.
One More Dub recording, studio in Orvieto and record label (the cave studio, look at that!) , organizes this musical jam between the two musicians, Alfredo Golino e Lusi.
Lusi is playing with the C-Gold Bronze, Cesarini Vintage Series ’70. That is a bass that can allow every bass technic, Lusi sometimes lay down the hand on the bridge and “pinch” the strings, the stopped sound could be really like a double bass.
He use a Proamp amplification that goes directly to mixer. The recording equipment is minimal, important on this jam is the dynamic, is not simple to follow a master, like Alfredo.
We recall some prestigious collaborations by Alfredo Golino. “Mina, Laura Pausini, Gianni Morandi, Vasco Rossi, Raf, Pino Daniele, Renato Zero, Eros Ramazzotti, RAG, Battiato, Fiorella Mannoia, Riccardo Cocciante, Anna Oxa, Ornella Vanoni, Marco Masini, Michele Zarrillo, Alice, Anna Oxa, Zuccero Fornaciari, Bocelli, Joe Coker, Tina Turner, Enrico Ruggeri, Platters, Enrico Rava and many others “
We thank Alfredo Golino and Lusi who give us about 10 minutes of linear jam session, the two musicians have practically known each other playing, that is fantastic.
“Ussa and al bene così” extract from Valter Vincenti “Colors” , filming takes place at “One More Dub studio” the cave studio in Orvieto (Umbria).
The recording takes place through collective direct shooting, with metronome (given the use of a base composed of atmospheric sounds). Valter uses Orange amplifier and Costa Lab pedals, Lusi Proamp amplification and no effect. Great special guest is the fourth man, Luca Ravagni, saxophone by Giorgio Gaber.
Cesarini Jam Session is a project of Liuteria Cesarini, jam are done with our endorser and our musical instruments.
The following video represents the dilemma of every student or professional, where to look for the “perfect” musical instrument?
Vintage, handcrafted or studio?
We are in 2017, the era of the web is more real than ever, but unfortunately the common musician does not have exactly a precise idea of what goes on in the market and, above all, of what he needs.
Doubt is certainly a symbol of ability to discern, too much security often leads to risky purchases. Try and listen, this is what we recommend to all musicians looking for their musical instrument.
One’s own subjectivity plays an important role and must not be put aside. The advice of a friend or a professor should never be disdained, indeed it is precious, but it must be sought and not received in a coercive manner. This must never become a “dictat”, one’s taste must become contaminated with various opinions, to strengthen oneself not to annihilate oneself.
The search for wood, for the realization of musical instruments, is a very important discipline for the violin maker, it requires its maximum effort in the online and physical research of the material.
Online market is larger and richer than many others market, the same can not be said for the wood market. This precious material is sometimes found in the most unexpected ways …
… from an elderly violinmaker who closes, from a carpenter who has bought too much for himself, from a farmer who cuts his own plant under his house. Obviously, the seasoning of the wood must be done, especially if the plant has recently been torn down. A different story is made of wood taken from a luthier, who often bought already seasoned wood at the beginning of his activity. This is the best pratice to become the best place to buy a violin.
In Atelier Cesarini often we select seasoned woods, at least 10-20 years, but thanks to the availability of old lutheries that end up activity, we can have seasoned wood up to 40-50 years. This precious material creates the difference in production. The best woods are not used for the production of studio instruments, but for the only professional musical instruments.
“Wilson” has a dark open-pore finish, laquer made. It is an artisan violin built in the Atelier Cesarini. The sound is warm and, at the same time, very rich in harmonics above and below the fundamental, it is also strong in intensity. The strings mounted are the Atelier Cesarini n 8.